Set against the backdrop of Langya culture, this drama unfolds a series of new and old grudges, joys and sorrows, and stories of separation and reunion in the context of the historically fictional State of Daliang. The six enigmatic judges of the Langya Pavilion are entangled in the selection of the new top of the Langya Yunfeng List.
A distinctive feature of this play is the adoption of the rapidly rising ‘immersive’ performance form among young people, breaking the fourth wall between the audience and actors. The entire exhibition space of the Wang Xizhi Film and Television Museum has been transformed into a performance space, where every corner is playable and every step offers a show. The audience is no longer just a spectator of the drama but becomes a character within it, walking through the ancient streets of Wuyi and Langya, guiding the development and direction of the plot. Actors are no longer just performers of fixed routines but become ‘companion’ performers face-to-face with the audience, stimulating the audience’s immersion into the characters’ past and present through improvisation and game interaction.
The play starts with concepts such as ‘technology, art, and marriage’ to present sincere feelings of home, love, loyalty, and kinship, and uses various performance forms to carry the content – storytelling, rap, song and dance shows, rock music, magic, dialects, weddings, funerals, sword dances, folk songs, martial arts, multimedia shows, and light shows. Under the performance of each scene, it seems that the six judges and the audience are involved in a series of comedies and farces, but under the laughter lies many complex emotions that are difficult to articulate.
Another feature of the play is the cross-industry integration of multiple formats, repackaging Chinese traditional culture in a national trend style, and organically integrating performance, games, and cultural creations through the emerging entertainment medium of game theater. Combined with wearable technology devices, it creates an online and offline interactive multi-entertainment immersive universe, attracting a wide range of tourists, especially young people.
In order to ensure eternal peace for the Dongyi Kingdom, the Nine Heavens Mysterious Girl descended to the mortal world and established the Langya Pavilion in the Heavenly Palace. The location of the ancestral temple is Phoenix Mountain. As recorded in ‘Records of the Grand Historian’: ‘The eighth is: the Lord of the Four Seasons. Sacrifice is offered at Langya. Langya is in the east of Qi and is probably the place where the year begins.’ It means the place where the year begins. The meaning of Langya is flawless jade. The six judges of the Langya Pavilion are the masters of yin, yang, four seasons, heaven and earth. First: Six main storylines interpenetrate and are intertwined. Independent perspectives tell a complete story and promote repeat visits.
Second: Deep RPG game design is deeply related to the plot, forming a complete feedback chain. Learn various unique skills, challenge martial arts masters, and become the leader of heroes in the world.
